“Although not as deeply affected as Yi-young or Su-jin, but I have also envied others in the past and I think I’ve always had a yearning to be like someone else. Shin Min Ah has developed since Hometown Cha Cha Cha. ![]() Although the film takes the topic of diving and the emotions involved in it, which may seem too delicate and complex, I feel even those emotions are common,” Shin said. “Living in this competitive society, I think everyone must have gone through similar experiences. ![]() That emotion I felt then seemed strangely in line with Yi-young’s emotion in the film,” she said.Īlthough her character, who is unable to rid herself of her obsessions over past glory, does not seem normal on the outside, Shin said Yi-young’s emotion and relationship with Su-jin are not so unusual in real life, and she could relate to them. “It felt strange, as I was standing above everyone else, looking down on them on the ground waiting for me, focusing on my breath before jumping. Read also: Five K-dramas with female characters that break gender stereotypes Though not afraid of water, Shin said standing on a diving board some 10 meters above the ground was a special experience. I feel the times have changed and many talented women in the film industry, not just in Korea but everywhere, are now taking the lead,” Shin said. We did not gather because we were women, but just as talented people with a keen interest in cinema. “Working with female staff and crew members is not something (I had never) experienced, but this time the director, producer, the lead cast members and even the shooting director were all women. Not only are the film‘s lead characters women, director Jo Seul-yeah, who also took part in writing the script, and CEO Kim Yun-mi, of the film’s production studio Oal, are both women as well - an uncommon sight in South Korea’s male-dominated film industry. “The storyline was strong, and although Yi-young’s emotions seemed complicated and sensitive, I thought it would be interesting if I could portray the character well.” “These kinds of scripts telling the stories of women are very rare,” Shin said. Photo: JTBC While Kim spent his days in and out of hospital, Shin also opted out of any projects for two years. Shin said the strong narrative surrounding the two female figures was what fascinated her the most when she first read the script. Shin Min-ah returned to the screen with Chief of Staff in 2019.
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